THE PLEASURES OF SELF DECEPTION

- out October 27th - 

ABOUT THE PLEASURES OF SELF DECEPTION

“I wrote an album that I loved, then grew to hate, then learned to re-love again.”

Having been compared to the likes Kate Bush, St Vincent and Goldfrapp, artpop artist LIJO shines her light on the concept of identity and image.

Are we all personas? On a small scale, we all are the main characters of our own little shows. On a bigger one we act like we are the main character in this world. The way we try to alter the perception other people have of us in order to feel a certain way about ourselves is a constant battle between reality and make-belief. Eccentric and literate songstress LIJO addresses this and its consequences, but then decorates it with a sense of lightheartedness and danceability, flowing melodies and feverish sounds.

Debut album THE PLEASURES OF SELF DECEPTION, a collection of both catchy and poetic art-pop songs, sets a lush scene for LIJO to casually dance from cynical indifference to gnawing doubt and from distant observance to the longing for connection.

Connecting her innate love for the warm sound of acoustic instruments and her fascination for the directness of electronic drums and synths, THE PLEASURES shows LIJO’s broadest picture and deepest soundscape so far - a result sprouting from her collaboration with producer Erwin Tuijl (Pocket Knife Army) who she describes as a "sometimes annoyingly gifted instrumentalist that both understands the musical language, and knows the ins and outs of electronic music like no other. But given all the technical and theoretical knowledge and skill, he has always recognised and put first the heart of the music - what a song is about and what it needs. I think that's the most important trait of a talented producer and it really made me feel at ease during the whole process of producing and recording the songs together."

Being recorded in 2020, the road towards releasing the album has been a bit of a bumpy one.

LIJO: "I wrote an album that I loved, then grew to hate, then learned to re-love again. Everything about 'The Pleasures' revolves around identity, validation and ego, something I believe that in this day and age, I am not the only one struggling with. Especially with the world on hold at that time, granting me too many moments to over-analyse, I came to struggle with it so much, that I took a break from releasing singles. I tried so hard to live up to expectations I set for myself that ultimately I felt too disconnected with what I was doing both artistically and personally. It took a while to come to terms with the idea that releasing an album about putting on a show didn't necessarily mean I as an artist, or person, was putting on a show. It took some time, but I could look at 'The Pleasures' again as the story of a certain period of my life, a momentary state, a temporary truth - but a truth nonetheless, and one I think people recognise."

From the catchy melodies of ‘BEE SUITS' to the feverish trance of ‘LETTING GO’, THE PLEASURES OF SELF DECEPTION is a record in which LIJO never loses sight of the literate songwriting that is one of her most powerful trademarks. Yet her songs are based on such energetic grooves and innovative melodies that despite the earnestness of her message, we're most likely going to dance to its beat.

LIJO’s previous releases have been spinned (inter)nationally by the likes of Kink Radio, 3voor12, Pinguin Radio and WNRI, and shared by blogs like American Pancake (USA), When The Horn Blows (UK), Lluid (NL), Homecooking Share (FR), Tinnitus (CAN) and We Love That Sound (DE). Her latest single ‘Bee Suits’ was added to Spotify’s editorial playlist ‘karakter.’, the Dutch playlist for edgy music.

ABOUT 'THE RECORD' ZINE

'The Record' started as a secret page on LIJO's website, serving as a digital version of her off the record, handwritten journals, that hold many origins to her songs as well as thoughts, poetry, drawings and scraps leading up to those songs. This has grown out to the very first physical edition of the zine 'The Record' which accompanies her album 'The Pleasures Of Self Deception'.